Four Ballades & Romances, Op.75, No.1 Edward, Dein Schwert Wie ists, duet AT, piano

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The fragmenting reprise of the opening question is perhaps intended as an ironic reflection on it by the composer—his means of communicating the real truth.


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And, through its similarities to the first movement of the F minor sonata, it makes one sense even more strongly a hidden background to that movement. No programmatic hints are provided for Ballades 2, 3 and 4, but the intense contrasts of Nos 2 and 3 suggest that more may have been present than the score indicates.

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Atmospheric keyboard effects are even more evident in No 3. The middle section explores high-lying chordal sonorities, then, in contrast, single sounds at the extremes of the keyboard, marked ppp.

Such extraordinary writing shows how much Brahms understood his own instrument, and to what extent his style discarded such expressionistic features as he moved, after , to different genres and to a focus on the more formal demands of large-scale chamber and orchestral composition. Only in No 4 does an attributable style emerge—a Schumannesque song melody and accompaniment alternates with a section of intimate decoration of a slow inner-voice melody again very Schumann-like before the varied reprise of both.

Now the first section is given an entirely new chordal sequel, while the second, transposed into B minor, is fashioned into a coda with wistful returns of the opening phrase that gradually motion the music towards its eventual serene close in the major key of B. Update Required To play the media you will need to either update your browser to a recent version or update your Flash plugin.


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  • Don't show me this message again. Four Ballades, Op 10 composer. Brahms was also to set this text as a powerful duet for tenor and bass with piano, Op 75 No 1. But comparison with the strophic form of the duet shows that the piano piece is not a song without words. All meine Herzgedanken Songs 7 for chorus, 9. Es geht ein Wehen Songs 7 for chorus, Der bucklichte Fiedler Songs and romances 6 for chorus, Fahr wohl Songs and romances 6 for chorus, Der Falke Songs and romances 6 for chorus, Beherzigung Songs and romances 6 for chorus, Nachtwache I Songs 5 for chorus vocal sextet , Nachtwache II Songs 5 for chorus vocal sextet , Verlorene Jugend Songs 5 for chorus vocal sextet , Im Herbst Songs 5 for chorus vocal sextet.

    Dank der Damen "Gleich wie Echo" , Marias Kirchgang Marienlieder 7 for chorus, 3.

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    Marias Wallfahrt Marienlieder 7 for chorus, 4. Ruf zur Maria Marienlieder 7 for chorus, 6. Magadelena Marienlieder 7 for chorus, 7. Marias Lob Marienlieder 7 for chorus, 8. Ich schwing mein Horn Songs 5 for male chorus, Songs 5 for male chorus, Geleit Songs 5 for male chorus, Marschieren Songs 5 for male chorus, Minnelied Songs and romances 12 for female chorus, Barcarolle Songs and romances 12 for female chorus, Fragen Songs and romances 12 for female chorus, Die Nonne Songs and romances 12 for female chorus, Die Berge sind spitz Songs and romances 12 for female chorus, Am Wildbach die Weiden Songs and romances 12 for female chorus, Die Braut Songs and romances 12 for female chorus, Adoramus Psalm 13 "Herr, 3.

    O bone Jesu Sacred choruses 3 for female chorus, 4. Adoramus Sacred choruses 3 for female chorus, 5. Regina coeli Sacred choruses 3 for female chorus, 6. Lied Choruses 4 for female voices, 8. Gesang aus Ossians "Fingal " Choruses 4 for female voices, Wie kumm ich dann de Pooz erenn , Wie erkenn' ich dein Treulieb Songs 5 of Ophelia, 7.

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    Songs 5 of Ophelia, Gestille Sehnsucht Songs 2 for alto, Gestiles Wiegenlied Songs 2 for alto, Die Nonne und der Ritter Duets 4 for alto, 2. Es rauschet das Wasser Duets 4 for alto, 4. Weg der Liebe Duets 3 for soprano, 2. Weg der Liebe Duets 3 for soprano, 3. Die Meere Duets 3 for soprano, 4.

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    Die Schwestern Duets 4 for soprano, 5. Die Boten der Liebe Duets 4 for soprano, 8. Am Strande Duets 5 for soprano, Er kam nach vielen Tagereisen Der Ritter befand sich Jetzt war die Stunde gekommen Peter hatte seine Geliebte Die Nacht war gekommen. Peter war durch seinen Gesang Peter auf seinem Kahn Peter war nun schon lange Totenklage Folk songs 8 , 3. Altes Lied Folk songs 8 , 4.


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    Der todte Gast Folk songs 8 , 5. Altes Liebeslied Folk songs 8 , 7. Spannung Folk songs 8 , 9. O Herzeleid" , WoO 7: Choralvorspiel Choral prelude and fugue for organ "O Traurigkeit, 2. Fuge Choral prelude and fugue for organ "O Traurigkeit, 3. WoO 8 Fugue for organ in A flat minor, 4. Fuge Prelude and fugue for organ in G minor, 6. Mein Jesu, der du mich Chorale Preludes 11 for organ, 7.

    Herzliebster Jesu Chorale Preludes 11 for organ, 8. O Welt, ich muss dich lassen Chorale Preludes 11 for organ, 9. Herzlich tut mich erfeuen Chorale Preludes 11 for organ, O wie selig seid ihr doch, ihr Frommen Chorale Preludes 11 for organ, O Gott, du frommer Gott Chorale Preludes 11 for organ, Es ist ein Ros' entsprungen Chorale Preludes 11 for organ, Herzlich tut mich verlangen Chorale Preludes 11 for organ, O Welt, ich muss dich lassen Chorale Preludes 11 for organ.